![]() ![]() And in-house producers turn out radio documentaries on jazz subjects, such as the recent "The House That Trane Built," about Impulse Records, the jazz label that John Coltrane (a.k.a. "JazzSet" is an example of the station's efforts to increase its visibility within the NPR network by producing its own programming, much of which is also broadcast on other public-radio stations.įor more than 20 years, the station has produced NPR's New Year's program, "Toast of the Nation," a dozen hours of music from across the country. It was extremely frustrating to read that 'BEZ is leaving the jazz side." "But it's not a pleasure for us to see WBEZ and maybe Long Beach move away from this because those stations are just as important to their listeners as we are to ours. Nowplaying kcsm series#"I think by having more stations, we can have this format," said Becca Pulliam, producer of "JazzSet" - a weekly concert series hosted by singer Dee Dee Bridgewater. They seem acutely aware that their format is increasingly rare on American airwaves. With five stations in the New York area, WBGO's niche as a jazz haven is more secure.īut that doesn't mean that staffers feel insulated from the pressures that are buffeting all forms of media, including radio. The Corporation for Public Broadcasting prefers that public radio outlets in the same market not have similar formats. ![]() Station executives readily concede that WBGO has one advantage that other jazz stations lack - a host of nearby public-radio stations. ![]() Its record library contains about 7,000 compact discs. The station has four broadcast studios, including one large studio for live performances. It has been able to double its staff since the early 1990s and pay for the remodeling of its offices in downtown Newark. "And inevitably, it would happen during a mic break."īecause of aggressive fundraising and tighter management, WBGO now operates with a surplus. "There was a sign on the bathroom door that said if a red light outside the studio was on, don't flush," said Morgenstern, who hosts a program of historic jazz. The sound of rushing water often punctuated an announcer's on-air remarks. WBGO was a seat-of-the-pants operation, broadcasting out of run-down facilities.ĭan Morgenstern, director of Rutgers University's Institute of Jazz Studies, recalls that one WBGO studio was close to a particularly noisy toilet. Nowplaying kcsm license#Established in 1948 by the Newark public school system, WBGO switched to a jazz format in 1979, when the station's license was transferred to a group of Newark civic leaders and the station joined the National Public Radio system. ![]()
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